To adjust the finer detail, go through the transition frame by frame and fix the double lines and double exposure of the faces with the brush tool.At the beginning of the transition adjust Opacity to 0.In the top layer, at the end of the transition, create a keyframe in Opacity and adjust it to 100.Then select the Brush Tool option under Tools, and adjust the image until both faces are lined up.Under Liquify > Warp Tool Options, adjust the Brush Size.Create keyframes on all the properties in the View Options.Then select the bottom clip, move to the beginning of the transition and select Liquify again.At the endpoint where the clips overlap, create keyframes on every property.Select the top clip and go to Effects > Distort > Liquify.Adjust the Scale and Position properties to make it as precise as you can. Line them up as best as possible, overlapping both clips at the point you would like the transition to occur.Lay both clips you want to combine on the timeline.Part 2: Additional Method with the Liquify Effect in After Effects Adjust the second set of masks to better match the second image, then apply the Flex Mask effect. Create a series of masks around key elements in the first image, then copy and paste the masks to later in the timeline over the second image. You can apply this same process to photos. You’ll need to experiment with timings to find the best way of introducing the different elements. Animate the opacity of each mask to reveal over time within your frames.Use the Pen tool to mask each duplicate for each different area of the face such as mouth, separate eyes, nose, beard, hair, and clothing.Finally, Pre-compose the bottom and top clips separately, and select Move all attributes into the new composition.Make sure to match the warping effect of the top clip to the bottom clip process you did. Create a keyframe, move to the start point of the overlap, and adjust the mesh columns and rows.Apply the Mesh Warp effect to the endpoint of the top clip, where the clips overlap.Move the playhead to where the clips overlap at the end and warp the points in the rows and columns.Move the Playhead to where the two clips begin to overlap and create a keyframe using the Distortion Mesh.Adjust the Rows to 24, Columns to 28, and Quality to 10.Go to Effects > Distort and drag the Mesh Warp effect onto the bottom clip.Adjust the Opacity of the top clip to 50% and lock the top clip.Once done, drag the top clip to the right so the two clips overlap.Repeat this process to any other footage you want to apply the face morph effect to.Select Apply once After Effects has completed the tracking.Place a tracking point on your subject’s face near the center.Under Tracker, select Stabilize Motion.Find the part of the clip you want to create the warp and cut the clips with Ctrl/CMD+Shift+D.Add the shot of the second person above the first one.Add the shot of the first person onto the timeline.Import your footage into After Effects.Here’s how to use the Mesh Warp Effect to morph faces in After Effects. You’ll need them to be a similar height and the shot needs to be steady, so stick them in front of a screen with the camera on a tripod and you’re good to get started! Step 1: Warping the Face – the Mesh Warp Effect Part 1: How to Create Face Morph Effect in After Effectsīegin your own After Effects face morph process by using a white or single-color background, make sure your subjects are all of a similar style and are wearing similar clothes, and keep the forehead of your subjects open and clear. Part 2: Additional Method with the Liquify Effect in After Effects.Part 1: How to Create Face Morph Effect in After Effects.
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